Jean-Luc Godard’s Pierrot le Fou is a cinematic detonation—playful, chaotic, and defiantly unbound. Beneath its dazzling collage of colors, jump cuts, and pop art sensibilities lies a potent exploration of escape: from bourgeois routine, political disillusionment, and the self. Ferdinand (Belmondo), bored with his stifling Parisian life, runs off with Marianne (Karina), embarking on a fragmented road trip that veers between romantic fantasy and existential spiral. Their journey isn’t a search for freedom in the traditional sense, but a confrontation with its illusions. Curating this film under the theme of Rebellion and Liberation, we invite you to look beyond its anarchic surface. Godard doesn't offer a heroic arc or clear moral compass—instead, he weaponizes cinema itself as a form of rebellion. Dialogue breaks the fourth wall. Narrative dissolves. Violence feels both comic and tragic. It’s a film that rebels not only against society, but against cinematic form. Pierrot le Fou challenges us to consider what it means to live authentically. Is liberation a destination—or a delusion? In our world of curated identities and mediated truths, its questions remain uncannily fresh. Let yourself be unsettled. Let yourself get lost. That’s where Godard wants you.